SoundOut 2015 Poster
SoundOut 2015
International Festival of Free Improvisation, Free Jazz and Experimental Music in Canberra Australia, Saturday 31st January - Sunday 1st February
Friday, November 7, 2014
Wednesday, November 5, 2014
SoundOut 2015 Profile
This is the 6th year of the annual SoundOut festival, and in 2015 we will bring to you the
continuation of the incredible bristling explorative sonic arts event. This is
the Free Improvisational, Free Jazz and Experimental Music festival to
will uplift tired ears, explore the unknown, see within the fabric of sound,
unravel the threads of normative musical praxis, and question sonic hegemonies.
Listen
to music with an unforced organic quality that will grow on you...It will replenish your ears and mind!
With artists from Australia,
Austria, Germany, New Zealand, Norway, and Switzerland that will
combine, mix, cross-fertilize, and move sound mountains to inspire inquiring
ears.
This coming years festival 2015 sees
extraordinary artists such as the brilliant Free Jazz trio the Frode Gjerstad trio: (Nor/USA) [including drumming luminary Paal Nilssen-Love, extraordinary bassist
Jon Rune Strom]; Swiss saxophonist Christian Kobi challenges our preconceptions
of music; Klaus Filip from
Austria dissects the inner working of minimalist
electro-acoustics; the Australian wind trio Psithurism (John Porter, Richard Johnson
and Rhys Butler) forge new sonic pathways for wind instruments; New Zealand avant-garde pianist Hermione
Johnson adds new dimensions to extended improvisations; while jazz trumpeter Miroslav Bukovsky (Aust) brings his
exquisite tonal sonority along with many more fine artists such the subtle
evocations of minimalists the Great Waitress trio (Meredith Maloney, piano; Laura
Altman, clarinet; Monika Brooks,
accordion form Germany/Aust); extraordinary
bassists Clayton Thomas (Aust); brilliant vocalists of sonic
sophistication Carolyn Connors (Aust)
; while Swiss electronic Artist Jason
Kahn, Melbourne based guitarist Sam
McAuliffe (Aust), extraordinary drummer Evan Dorrian (Aust) and electronic artist Paul Heslin (Aust) continue their exploration of their evolving
pallets of sound.
The 2015 group of Artists has never
gathered before and never will again in the same configuration, but they are
all involved in an international dialogue that is essential to the unfolding of
new music structures and what it means to be human in the 21st Century. Come, see and hear the new
music evolve.
SoundOut 2015 is very grateful for the
continued generous support from the ACT
Government, SoundOut, the Drill Hall Gallery at ANU and the volunteers that
help with the festival. The Artists would like to thank their respective
governments for support: The Norwegian Government, The Swiss Government; and
the Austrian Embassy.
Tuesday, November 4, 2014
When and Where
When:
Saturday 31st January:
Session 1: 1 pm - 5 pm
Session 2: 7 pm - 11:30 pm
Sunday 1st February:
Session 3: 1 pm - 5 pm
Session 4: 7 pm - 11:30 pm
Drill Hall Gallery
Kingsley Street Acton ACT 2601
(02) 6125 5832 or 0411 117 462
Saturday 31st January:
Session 1: 1 pm - 5 pm
Session 2: 7 pm - 11:30 pm
Sunday 1st February:
Session 3: 1 pm - 5 pm
Session 4: 7 pm - 11:30 pm
Where:
Drill Hall Gallery
Kingsley Street Acton ACT 2601
(02) 6125 5832 or 0411 117 462
For more
information contact:
Richard Johnson
vortexrec@gmail.com
0411 117 462
Please see Program and Artists profiles below.
Please see Program and Artists profiles below.
SoundOut 2015 Artist list
Carolyn
Connors: vocal – Melbourne
Christian Kobi: saxophone -
Switzerland
Clayton Thomas: double bass - Sydney
Evan Dorrian: drums
- Sydney
Frode Gjerstad: alto sax –
Norway
Hermione Johnson: piano - New Zealand
Jason Kahn: electronics -
Switzerland
John Porter: tenor sax –
Canberra
Jon Rune Strom: double bass - Norway
Klaus Kilip: Electronics –
Austria
Laura Altman: clarinet –
Sydney
Meredith Maloney: piano - Germany
Miroslav Bukovsky: trumpet - Canberra
Monika Brooks: piano -
Sydney
Paal Nilssen-Love: drums -
Norway
Paul Heslin: electronics - Canberra
Rhys Butler: alto sax –
Canberra
Richard Johnson: wind instr.
– Canberra
Sam McAuliffe: guitar -
Melbourne
Monday, November 3, 2014
SoundOut 2015 set list
SoundOut 2015
Saturday 31st January
Afternoon: Session 1
1:00 Psithurism Trio
[Butler/Porter/Johnson]
1:50 Jason Kahn solo
2:40 Maloney / McAuliffe
/ Kobi
3:30 Filip / Heslin /
Brooks
4:20 Community Free
Improvisation workshop run by Jon Rose finish 5pm:
Rose / Pozza
/ Norris / Mailman / Butler / Porter/ Clarke / Heslin / Cottrel
Evening: Session 2
7:00 Wind ensemble:
Butler / Kobi / Johnson / Porter / Altman / Bukovsky
7:50 C. Connors/ J Rose/ C Thomas/
8:40 Great Waitress trio
9:35 Frode Gjerstad trio
10: 20
Filip / H Johnson / Kahn/
11:10 Collective improvisation from all performers of the day
Sunday 1st February
Afternoon: Session 3
1:00 Christian Kobi
solo
1:50 MacAuliffe / Porter/
Dorrian/ Heslin
2:40 Connors
/Nilssen-Love/ Kahn/ H Johnson/Thomas
3:30 Bukovsky/
R Johnson / Rune-strom +
4:20 Community Free
Improvisation workshop performance (Jon Rose to curate)
Evening: Session 4
7:00 Gjerstad/ Bukovsky/ Thomas/ Dorrian/
Porter
7:45 Connors/Kahn/Altman/ Butler/ Brooks
8:35 Hermione Johnson solo
9:30 Filip / R Johnson / Kobi
10:20 Frode
Gjerstad trio …
11:10
Frode Gjerstad Conduction ensemble
(all Performers from the two days)
Sunday, November 2, 2014
SoundOut 2015 Artist bios
SoundOut 2015 Artist Biographies
Carolyn
Connors:
vocalist: Melbourne
Carolyn’s
vocal work expands the possibilities and extremes of the acoustic voice, where
sonic territories are variously presented, extrapolated, mined, and
developed via composition, and in solo or ensemble improvisational settings.
The Sonata for voice
and objects and Sonata for voice and paper enhance the acoustic
possibilities of the unaccompanied voice via preparations. Material Mouth is a
theatre performance where various vocal techniques are presented scenically,
creating the possibility of theatre for listening to. She performs in her
trio Hammers Lake with
cellist Judith Hamann. Her solo
appearances include Adelaide and Melbourne festivals, Densite (France),
Melbourne and Adelaide fringe festivals, the Now
Now, and Melbourne International Jazz Festival. Carolyn has been a
contributing performer to many works by Australian composers including David
Chesworth, Liza Lim, Quiver New Music Ensemble, Alex Garsden, Ren Walters,
Cynthia Troupe, David Tolley, Stevie Wishart, Warren Burt, Jill Orr, Madeleine
Flynn and Tim Humphrey, and Chris Mann.
Carolyn
is equally active in theatre performance. She is currently the lead in Still
Awake Still which toured the US in 2014, and will tour around Australia
during 2014. Companies she has worked with include Finucane and Smith (Carnival
of Mysteries, Gotharama); Perilous Productions (Golden Valley, The Chapel
Perilous); and The Museum of Modern Oddities. Carolyn is an instrumentalist.
She plays piano accordion in French music duo Un Petit Purr, and performs in
festival and cafe environments as a soloist. Her songs for ukulele have
been crafted into two award-winning theatre shows, and she works regularly as a
pianist.
Christian Kobi: saxophone: Switzerland
Born
in Berne (Switzerland). Studied classical music at the Hochschule für Musik in
Basel with further studies undertook in Paris (Cité Internationale des Arts),
Lucerne (postgraduate degree) and Zurich (Master of Music in Performance) in
the fields of improvisation and contemporary composition. Numerous appearances
at home and abroad, solo and together with various improvising music ensembles.
Recordings and public performances with musicians Fritz Hauser, Katharina
Weber, John Butcher, Lionel Marchetti, Christian Wolff, Sylvie Courvoisier et
al. 2004 Founder and artistic director of »zoom in«, a festival for improvised
music at Berne Minster. 2006 Co-founder of the new music label «CUBUS RECORDS».
2012/13 Artistic director of Szofa Budapst (supported by Pro Helvetia). His
music is available on various recordings. His latest is the 2013 album r a w l i n e s
.
Clayton
Thomas: Bass - Sydney
Clayton is a double bass player who's most
common approach to making music is through improvisation; that doesn't mean he
doesn't make plans - he does, often quite systematic and considered ones. When
these systems are deployed, however, is usually triggered by an in-action
musical moment, not a preconceived plan of events. Although working with a
rather well researched and focused set of language devices - from extended
techniques to preparations - he often finds himself struggling with a technical
issue directly influenced by the spontaneous choice of technique which he has
to then contend with in as musical a way as possible. He has gone through these
issues with some of the worlds most experienced and recognized creative musicians,
including; Peter Brotzmann, Jon Rose, Jim Denley, Paul Lovens, Marilyn
Crispell, John Butcher and Evan Parker to name not many. He founded the NOWnow
festival, the Splinter Orchestra and its European sister group SPLITTER. He has
lived in Berlin for 6 years, and comes from Tasmania.
Frode
Gjerstad: Alto
saxophone: Norway, FG
trio
Frode
Gjerstad has for many years declared his
enthusiasm towards small line-ups, and especially trio (see trio members Paal Nilsen-Love and Jon Rune Strom). The trio line up gives
space for the musicians, but is at the same time very depending on the
musician's physics and musicality. With over 20 recordings as a leader he has
established himself as a major saxophonist on the international scene. His
trio´s has included Johnny Dyani, Kent Carter and John Stevens, William Parker
and Rashied Bakr, and; William Parker and Hamid Drake, whom he toured in Europe
with in 2010. The trio had their debut concert at the Blow Up festival in Oslo,
Norway; summer 2011. Since then they have toured Norway and recorded a CD,
which will be released on CTO records, summer 2011. Although this is a new
trio, Gjerstad and Nilssen-Love´s collaboration goes back to 1992 when Frode
formed Circulasione Totale Orchestra together with a rock band and Paal. Since
then, they have worked together in various settings as duo, trio and quartets;
sometimes featuring guests like Jeb Bishop, Bobby Bradford and Peter Brötzmann. CD
releases include a handful of 12 titles with various groups on different labels
all around the world. Amongst them are "The Blessing Light" from 2001
on Cadence rec., "Sharp Knives Cut Deeper" on Splasch rec. with Peter
Brötzmann, "Last First" on Falcata Galia rec. and
"St.Louis" on FMR rec, "Mothers and Fathers" and “Nothing
is Forever” on CTO rec. The trio's music has its roots in the
free-jazz tradition, the way it was defined by Coleman, Mingus, Dolphy and
Coltrane. All tough, the trio also takes inspiration from the European free
scene.
Hermione
Johnson: Pianist (New Zealand)
Hermione is a composer and pianist living in Auckland, New
Zealand. In recent times she has improvised with Frode Gjerstad , Cor Fuhler,
Dave Brown, Ingebrigt Haker Flaten and Sean Baxter, John Bell, Gerard Crewdson
and Jeff Henderson etc. She has appeared solo at Sydney's Paddington Uniting
Church alongside Chris Abrahams and Monika Brooks, and with Louise Curham's
'Drunken Flower' at the Lines of Flight Festival in Chistchurch. She has
performed at the Nownow, Fredstock, iiii ,Bomb the Space and SoundOut 2013 Festivals.
Her solo album 'colourcode' was released by the iiii label in July 2013 and is
a Tayloresque tour de force of tonal whirlwinds and clusters of musical
brilliance.
Jason Kahn: electronics | drums
percussion: Switzerland
Jason Kahn is a musician, artist and
writer. He was born 1960 in New York and grew up in Los Angeles. He moved to
Europe in 1990 and is currently based in Zürich. Kahn
exhibits his installations in museums, galleries, art spaces and public sites
internationally. These works focus on the idea of space: the conceptual and
physical juncture points, its production and dissolution, and our relation to
it as a political, social and environmental medium. As an electronic musician
and drummer Kahn collaborates regularly with many musicians, both in improvised
settings and in the context of graphical scores which he composes for specific
groups. Kahn's other activities include sound pieces for radio, film, dance and
theater. He has also designed numerous CD, LP and cassette covers. As a writer,
his work has appeared in books, magazines and as liner notes to many audio
publications. Performing regularly around the world, Kahn has given concerts
throughout Europe, North and South America, Australia, Egypt, Hong Kong, India,
Israel, Japan, Korea, Lebanon, Malaysia, Mexico, New Zealand, Russia,
Singapore, Turkey and South Africa. From 1998 until 2008 Kahn ran the label Cut,
releasing twenty-five CD's which included both his own work and that of many
other artists. In 2011 Kahn started the Editions
imprint to publish his own recordings and writings. http://jasonkahn.net/index.html
John Porter: alto/tenor saxophone – Canberra Psithurism trio
Born in Toowoomba in 1985, John is a formidable young saxophonist with a
deep interest in free improvisation. After starting on the clarinet at an
earlier age he switched to the tenor saxophone and never looked back. In 2003 John moved to Brisbane to study
music full-time, completing a Bachelor of Music in 2005 and a Master of Music
in 2008 where his thesis was on the avant garde composer Cornelius Cardew. It
was during this time that John received his first exposure to improvised music,
participating in a number of groups in and around Brisbane. He has since played
with a number of artists including Shoji Hano, Jeff Henderson, Kris Wanders,
Madoka Kouno, Elliott Dalgleish, and the Stasis Duo, and appears on recordings
released by the [Array] and Homophoni labels. John is currently in a saxophone
trio with Richard Johnson and Rhys Porter called Psithurism Trio. He loves
playing music to birds and animals in a dialogue with the sound-scapes around
him, as it were.
Jon Rose:
violin/multi-instrumentalist: (Sydney; Berlin)
Jon Rose performs his group projects and solo music in upwards of
50 concerts every year - in North America, Japan, Australia, South America,
China, Scandinavia and just about every country in West & East Europe. He
is featured regularly in the main festivals of New Music, Jazz and Sound Art
e.g. Strasbourg New Music Festival; New Music America; Moers New Jazz Festival;
European Media Festival; The Vienna Festival; Ars Elektronica; The Northsea
Jazz Festival; Dokumenta; Roma-Europa Festival; Festival D'Automne; Festival
Musique Actuelle; The Berlin Jazz Festival, etc. Rose has also been invited to
curate Contemporary Music Festivals in Germany (e.g. Berlin Urbane Aboriginale)
and Austria (e.g. Wels 'Unlimited'). He has curated his own festival
"String 'em up" of radical string players and their instruments,
taking place in Podewil, Berlin in 1998 and Dodorama and V2, Rotterdam in 1999, Tonic, New York in 2000, Mains
D'Oeuvres, Paris in 2002, and IPR, New york in 2010. In March 2012 Jon
won the Australian Don Banks composer award in Sydney.
Jon Rune
Strøm: double bass:
Norway, Frode Gjerstad
trio
Jon Rune
Strøm is one of the new leading bass voices of Scandinavian jazz and improv
scene. Known as an extreme high energy free player with extraordinary stamina,
he’s leant his bass muscle to both straight ahead jazz projects as well as free
improvised settings such as Frode Gjerstad’s trio with drummer Paal
Nilssen-Love. Jon Rune is also working with other known improvisers including
Mats Gustafsson, Ken Vandermark, Steve Swell and Raymond Strid. Now record his debut under his own name
with " Jøa " Stone Floor Records. The music is freely improvised, but
with distinct borders and shapes. Use of alternative techniques expands the
repertoire and challenge the contrabass limitations as a solo instrument. Inspired
by bass heroes like Gary Peacock , Peter Kowald and Harry Miller , Jon Rune
created a rhythmic and energetic expression.
Klaus Filip: computer:
composer/performer: Austria
Almost
all of klaus filip's art projects have been driven by technological
possibilities and the social need to change structures. Among them subVoice (an
underground tapemagazine), sigis bruder (early electronic
songs together with singer sigi ecker), christof kurzmann's orchester
33 1/3, zentrifuge, music for short films, theatre, dance,
sound-installations. He is the musical and electro-mechanic father of BigBaby,
an outstanding intermedial project around a sculpture build by red white and
brought to life by the movements of cynthia schwertsik. Filip is the
inventor and never sleeping developer of the open-source software lloopp,
a musical instrument on the computer to provide open structures for
live-improvisation, used by many well-known electronic musicians while he used
to play on the edge of a computers abilities in the past years, he is now
reducing the processes to mere sinus-waves, overlapping with themselves and the
ever sounding surroundment of a place; searching for the individual limits of
perception, in loudness and movement collaborations with radu malfatti,
werner dafeldecker, dieb13, christof kurzmann, boris hauf, christian fennesz,
jason kahn, john butcher, sabine marte, gilles aubry, noid, cordula bösze,
silvia faessler, taku unami, taku sugimoto and toshimaru nakamura.
Laura
Altman: Clarinettist and composer, Sydney Great Waitress trio
She is an
important voice on the Sydney improvising scene and The Splinter Orchestra for
a couple of years now. Her delicate clarinet playing suggests a new way of
thinking about the instrument. Laura is currently studying composition at the
Sydney Conservatorium of Music and writing an honours thesis. She has also
studied at the Institute of Sonology at the Royal Conservatorium, in The Hague.
For the past two years, Laura has toured throughout various countries in
Europe, performing improvised music. Most recently, she appeared as a special
guest at the inaugural ‘Sound Out 2010 Festival in Canberra, alongside Richard
Johnson, Jim Denley, Clayton Thomas and Kim Myhr. http://lauraaltman.net/
Meredith
Maloney: pianist
Frankfurt, Germany.
Maloney studied jazz and improvisation at
Universität der Künste, Conservatorium van Amsterdam in 2001 under Misha
Mengelberg and completed a diploma at Hochschule für Musik Hanns Eisler under
Georg Graewe in 2005. During this time she began developing a specific set of
techniques for inside-piano performance. Maloney has concentrated her musical
investigations on the piano and its sonic possibilities, utilizing extended
techniques, amplification and preparations as a process of abstraction, whilst
focusing on the physicality of both internal and external parts of the piano.
As a continuation of this research Maloney founded the festival Tasten-Berliner
Klaviertage featuring contemporary and innovative approaches for the piano.
Maloney performs internationally in a variety of roles as interpreter, solo and
in collaboration with a large number of musicians and composers: in a duo with
TB, in the trio with Michael Renkel and Sabine Vogel, the Quartet Maloney/Nutters/
Olsen/Galvez and as part of the Amsterdam based N-Collective. Over the years
Maloney has performed with many leading figures in improvisation such as Andy
Moore, Steve Heather, Annette Krebs, Andrea Neumann, Axel Dörner, Michael
Zerang, Johannes Bauer, Christoph Kurzmann, Thomas Lehn, Tristan Honsinger,
Frank Gratkowski and Michael Moore.
Miroslav Bukovsky:
trumpet – Canberra
Miroslav
was the head trumpet teacher for the ANU School of Music Jazz department in
Canberra for many years until just recently when the entire ANU SM jazz
department was abolished along most of the Classical School by a new VC. . He
was one of the founders of the renowned Jazz ensemble the Ten Part Invention
(TPI) with Roger Frampton and John Pochee; has played with the Free Boppers,
the KMA Orchestra and the Australian Art Orchestra. He has led the award - winning
ensemble Wunderlust for many years and remains active composing and performing
with them and TPI. He has also played in the experimental jazz trio Pollen Trio
with Austin Bucket and Evan Dorrian and in a trumpet trio with James Greening
and Reuben Lewis recently. He is a staunch experimenter and improviser and relishes
the opportunity that new grouping provide.
Monika Brooks: accordion - Sydney Great Waitress trio
Monica Brooks hails from the mountain tops of the western plains, primarily focusing on the relationship termites have to astronomical phenomena such as the aurora australis. Monica is often found playing few notes in slow succession on the piano accordion in West Head Project, Splinter Orchestra, Mayas/Altman/Brooks Trio, and made Z grade celebrity status in the band formerly known as Ubercube. She also amuses herself with radios and guitar pedals in a trio with Anna Vo and Nadene Pita. Monica on occasion delves deep into the superficial habitats of indie music as a perpetual novice of the piano and computer, and thoroughly enjoys a good yodel with other beer-swilling slags around the Sydney sub-tropics. Monica has made a number of attempts to transform into an artist/sound sculptor, and used to spell her name with a ‘k’ to appear more exotic.
Paal
Nilssen-Love: drums: Norway, FG trio
Paal Nilssen-Love is Norway's most active free jazz drummers and has established
himself as a powerful and a most dynamic musician. Before
turning 30 Paal has cemented his position as one of the most profiled drummers
in Europe today, he has made numberless performances at festivals and clubs in
Europe and USA and participated on more than 50 recordings. He runs his own
annual festival – All Ears - for improvised music in Oslo, which is an
important part of his musical life, and he plans to start his own recording
label for vinyl productions. Like Pat Metheny put it in 2002, after having
played with Paal at Molde International Jazz festival: “He is simply one of the
best new musicians I’ve heard during the latest years!” And after having heard
Paal in 9 different settings at the same festival, Down Beat reporter Dan
Quelette stated: “His week at Molde proved a revelation: Nilssen-Love is one of
the most innovative, dynamic and versatile drummers in jazz!” He has played in many bands, although
various styles and musical versatility in general, represent important pieces
that make up a total, and all bands are formed or joined with a clear vision.
Today Paal’s portfolio includes Atomic, School Days, The Thing, Frode Gjerstad
Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo
projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson,
organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And he was a part
of the Brilliant and successful but recently disbanded Peter Brötzmann Chicago Tentet.
Paul Heslin: electronics - Canberra
Canberra-based
composer/producer/whatever. He is a graduate of the Centre of New Media Art at
the Australian National University and has performed regularly nationally and
oversees, most notably at the This Is Not Art/Electrofringe Festival and the
Australasian Computer Music Conference. His work explores an
intersection between musique concrete and the extraordinary potential of recent
developments in mirco computers. He has released music in a wide variety of
formats (including videotape and floppy disk) and has collaborated with artists
across three different continents
Rhys Butler: alto sax – Canberra Psithurism trio
Rhys has come to know
the cities he has lived in through improvised and noise music. The trio Dinner
Sock (Stephen Roach (drums), David Keyton (feedback), and Rhys Butler
(saxophones)) formed from the weekly Fugue State Sessions in Guanzhou. The
group performed with local experimenters such as Yan Jun, Feng Hao and Li
Zenghui and collaborated with musicians transiting China such as Uwe Bastiansen
(Faust) and Lucas Abela. Despite living in different corners of the world,
Dinner Sock has continued to participate in China's experimental music scene
and played Beijing's Sally Can't Dance festival and NOIShanghai in 2012. In
Santiago, Chile, Rhys participated in events run by Productura Mutante and
played in the free-for-all Collective Improvisation NO. Now residing in
Canberra, Rhys has been working in a duo with Reuben Ingall (live processing)
and more recently in a reeds trio Psithurism with John Porter and Richard
Johnson.
Richard Johnson: wind instruments –
Canberra Psithurism trio
Richard performs with the texture of sound on soprano/baritone saxophone
and bass clarinet and in the last couple of years has been experimenting with
instruments made from the conical gourds from PNG. These particular gourds allow
the stripping back of the wind instruments to their most visceral and most
sensuous form and allow for the exploration of the fundamentals of sound
production with extended techniques. He has performed at the What is Music
Festival, Nownow Festival; the Make it Now performances; also performances with
the Brice Glace Ensemble and the 102 Club Orkestra in Grenoble France 2004;
“Whip it“ series in Sydney; various Precipice annual Improv workshops hosted by
Tony Osbourne as well as hosting local/interstate/international improvisation
nights in Canberra and as being the Producer/Director/Curator and performer at SoundOut
2010 – 2014. As a sound artist he was commissioned by the Casula Power
House in Sydney to collaborate with renowned Artist Savanhdary Vongpoothorn to
produce a 30-minute Soundscape for the Australia Exhibition at The
Casula Power House in Sydney 2008; in 2010 he collaborated with
glass/conceptual artist Denise Higgins on a soundscape for her show in
Melbourne. He has performed with the likes of Jaap Blonk, Jon Rose, Mats
Gustafsson, Robbie Avenaim, Jerome Nottinger, Xavier Querell, Jim Denley, Kim
Myhr, Clare Cooper, Annette Giesreigl, Rodrigo Motoya, Antonio Panda
Gianfratti, Clayton Thomas, Isaiah Ceccarelli, Yan Jun, Laura Altman, Michael
Norris, Evan Dorian, Christine Abdelnour, Philippee Lauzier, Eric Normand, Sam
Pettigrew and Rishin Singh etc. Currently he is working in a wind trio with
John Porter and Rhys Butler called Psithurism, which intends to release a cd in
the near future.
Sam McAuliffe: guitar:
Melbourne
Sam McAuliffe
is a graduate of Monash University, where he studied jazz performance,
specialising in guitar. Sam had the pleasure of studying
guitar/composition under the mentorship of well-known/renowned musicians such
as James Sherlock, Doug DeVries, Stephen Magnusson, Ren Walters, and Jordan
Murray, to name a few. Sam was awarded a letter of recommendation by the Dean
of Monash and was fortunate to complete a summer exchange program at New York
University. Whilst a student at Monash University Sam also had the privilege of
performing and recording with such internationally recognized musicians as
George Garzone, Vince Jones and Sam Keevers. Separate to his student life, Sam
co-founded the not-for-profit organisation The
Melbourne Improvisers Collective with fellow contemporary musician, Travis
Woods. Sam also founded and still actively runs a similar not-for-profit
initiative The Re-Think Project. Through
this initiative, Sam has been able to collaborate with numerous Australian
musicians such as Stephen Magnusson, Scott McConnachie, Ren Walters, David
Brown, Anita Hustas, David Tolley, Marc Hannaford, Erkki Veltheim, Tony Hicks,
and Adrian Sherriff to name a few. Sam performs regularly throughout Melbourne
in a variety of musical genres, including theatre productions, pop music,
blues, jazz, and experimental/avant-garde.
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